Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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VERONESE (Paolo Caliari)
The Virgin and Child with Saints Justin and George and a Benedictine (mk05)

ID: 20322

VERONESE (Paolo Caliari) The Virgin and Child with Saints Justin and George and a Benedictine (mk05)
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VERONESE (Paolo Caliari) The Virgin and Child with Saints Justin and George and a Benedictine (mk05)


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VERONESE (Paolo Caliari)

Italian Mannerist Painter, ca.1528-1588  Related Paintings of VERONESE (Paolo Caliari) :. | The Marriage at Cana (detail) aer | Moses Saved from the Waters of the Nile | The Wedding at Cana | The Marriage at Cana r | Jesus and the Centurion |
Related Artists:
WILLAERTS, Adam
Dutch painter (b. 1577, Antwerpen, d. 1664, Utrecht) During his early years in Antwerp he was impressed with the colourful paintings of the Fleming Jan Breughel the elder, but the subject and style of his earliest known picture, Dutch East Indiamen off the West African Coast (1608; Amsterdam, Hist. Mus.), presumably painted after the artist's arrival in Holland, shows the influence of the Dutch marine painter Hendrick Cornelisz. Vroom. In this painting Willaerts adopted Vroom's austere compositional scheme of an uninterrupted horizontal expanse of water with no framing devices,
Henry Salem Hubble
1870-1949 Henry Salem Hubble Galleries
SCHAUFELEIN, Hans Leonhard
German Northern Renaissance Painter, ca.1480-1540 was a German painter, designer, and wood engraver. He was born in Nuremberg, probably studied under Wohlgemut, and then became the assistant of D??rer, whom he imitated. In 1512 he went to Augsburg and in 1515 removed to Nordlingen. He is a graceful narrator, and his types, though rarely accurately drawn, are attractive, but he lacks power and depth. Characteristic early paintings are the altarpiece at Ober Sankt Veit[1], near Vienna (1502), "Scenes from the Life of Christ" (Dresden Gallery), and "St. Jerome" (Germanic Museum, Nuremberg). To his Nordlingen period belong his masterpiece, the so-called "Ziegler Altar" for St. George's Church (1521), part of which is still in the church, part in the museum; "Scenes from the Story of Judith," in the town hall; and the illuminated Psalter for Count von Ottingen, now in the Berlin print room. His most important woodcuts are those for the Theuerdank of Emperor Maximilian.






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